Inside ATA Records
Work Money Death…..
Work Money Death started in a basement bar, slap bang in Leeds city centre around 2010. We had a weekly residency on a Tuesday night. For “Sela Bar’, Tuesdays were not a night that paid the bills so we were free to play what we chose without too much interference from the management. It was there that we spent a good few years digging into tunes that we had never heard anyone else tackling. I have mentioned the influence of record-collector Fraser Hinchcliffe in these blogs before and many of the numbers we played came from tunes that he was...
13 Horns, 2 microphones
The name ‘The Yorkshire Film And Television Orchestra’ came before any recording. As you might know we like film and library music here at ATA and this seemed like the perfect name if we were ever to do something with a large scale ensemble.
Do You Want To Produce Music Or Run A Tape Machine Museum?
Here at ATA Records we pride ourselves on the methods that we have chosen to make our music, mainly recording analog to tape and pressing up vinyl. Not only are we recording to tape we are using the equipment that sonically best represents the style of music we are recording. This involves a lot of vintage recording equipment and with that comes many hurdles. The pitfalls of such an endeavour on an almost non-existent budget have, at times, almost got the better of us and we find ourselves weighing up dedication to the process against actually just getting music made....
The Sorcerers - Last minute monkey business
The purpose of these blog posts was to offer some insight into how we do things at ATA records. Sometimes this will take the form of something technical, like the equipment we use or a particular mic’ing technique, and sometimes it might be more conceptual or about the process of recording itself. This one is more on the conceptual side of things. We’ve got an album coming out soon that I am very pleased about. Across the board I feel like we have, for the first time, got a lot of it right. From the recording to the artwork, conception...
The Lewis Express - Jazz for the people.
The Lewis Express had a life way before our label, ATA Records, was printing discs. I think the first rumblings of the band were around 2004 when drummer Sam Hobbs and I, accompanied a very young pianist, Bill Laurence, in one of his degree examinations. My memory is slightly hazy for the material. I think we improvised some swinging jazz and possibly some reggae-influenced stuff, but I do remember that we kicked the doors off the sucker! Bill's examiners did not know what hit them as he was on a classical music degree. It was a few years after this...